Posts Tagged ‘Lisboa Avenue’

FOUND IN THE STORE

(6.06.2015) And do you know that our records are still available? :-) This one was found few days ago in one of the biggest Polish books/record store EMPiK Junior in Warsaw, Marszałkowska street. Section: Muzyka poważna/etniczna. The Lisbon' album, previous one. :-) .


TAKE THE MUSIC OUT OF CARDBOARD BOXES

(17.12.13) During last few days we’ve reorganized our STILO MUSIC STORE. Now you can easily walk through the racks with our records, reading short lines about them, listening to the music, watching videos and the most important – just by one click visiting the shops with particular albums. In our Store you can buy in euro or dollars! Shopping in zloties →


“Lisboa Avenue” in Radio Centrum

(15.02.2013) Lost object is finally found so you can listen to our album "Lisboa Avenue" this Sunday, 17th of February, in Radio Centrum, between 20-22.00. Link to Jazz-rockowa Płytoteka programme: http://www.radiocentrum.pl/audycje/jazzrockowa_plytoteka/ And our album looks like this (photo by journalist Przemek Skoczek): . .


Stilo vs Jimmy Page?

(8.02.2013) On Sunday 10th of February you can listen to STILO in Radio Centrum (20.00-22.00) again, in Jazz-rockowa Płytoteka (Jazz-rock Record Library) programme by journalist Tomek ‘Mały” Kotyla. He will present music from our last album “Lisboa Avenue”, nominated in Just Plain Folks Music Awards 2009 Poll, in “European Album” category. Among the other artists broadcasted on Sunday you will find Jimmy →


STILO live in Polish Radio – interview

(20.01.2013) On Monday 21st of January STILO live in Polish Radio, Program 2! We will be interviewed by well known folk/folklore-journalist Maria Baliszewska in her program Źródła ("Sources"). Start: 12.00 pm. You can listen to Program 2 in radio or here: http://www.polskieradio.pl/8,Dwojka .


Studio at last

(21.10.2012) We got it! After more than five years we are back in studio! We have started recording the next album at last, in ADAM Recording Studio. In fact, we are pretty advanced in our work, having the most part of music caught on tape – or rather computer. Now we concentrate on choice of the best versions, tracks etc. There was →